The B.A. in Music combines four kinds of study: solo performance, ensemble performance, academic music courses, and courses in other subjects. These shared artistic and academic goals are basic to the philosophy that governs the study of music within a university context. Indiana University Southeast offers the B.A. degree in Music with concentrations in the following areas:
Music Industry
Music Business • Sound Engineering
Music Composition
Film & Media Composition • Composition for the Concert Stage
Performance
Instrumental Performance • Vocal Performance
Pre-Music Therapy
What is a Concentration?
A "concentration" is simply a specific area of study. Since music is such a diverse area, students at IU Southeast have the opportunity to pursue a concentration that best develops his/her interests and skills. Each degree concentration has its own set of requirements in addition to those required by the university for the B. A. degree. Students must declare an intended concentration and track prior to auditioning to become a music major. Students also have the opportunity to pursue two concentrations within the music degree.
What is a Track?
A "track" is a specific area of study within a concentration. For instance, a student whose concentration is Music Composition will choose either the Film & Media Composition track, or the Composing for the Concert Stage track. Similarly, a student concentrating in Performance will be in either the Instrumental Performance track or the Vocal Performance track.
MUSIC INDUSTRY
There are two tracks within the Music Industry concentration: Music Business and Sound Engineering. Students must declare which track they intend to pursue at the time of their audition.
MUSIC BUSINESS TRACK 
Music and Business are natural partners in the world beyond academia. Performing arts organizations often function as small businesses requiring those involved to have fundamental skills in marketing, accounting, business law, and grant writing. Likewise, the arts and entertainment industry provides opportunities to the business minded person with an interest in retail, artist management, or the recording industry fields. The Music Business track coordinates the requirements for the B.A. degree in music with basic studies in the music industry, music law, marketing, and business law. Students at IU Southeast have the opportunity to gain real-world experience and connections through numerous internship opportunities.
Auditioning/Interviewing for the Music Business Track
Acceptance into the Music Business track consists of both an interview and an audition on the candidate's primary instrument. Because the Music Business track is not a performance oriented degree, the level of performance does not need to reflect the same stringent standards. However, since it is a music degree, we require that candidates have previous training on a musical instrument or voice and can demonstrate basic literacy in conventional music notation. Candidates should be prepared to discuss reasons why they wish to pursue the Music Business track.
Music Industry Concentration Requirements: Music Business Track
These requirements are in addition to university distribution requirements
| Course Number |
Course Title |
Credits |
| |
Total Credits |
48 |
| T113-114 |
Music Theory I and II |
6 |
| T115-116 |
Ear Training I and II |
2 |
| M201-202 |
Literature of Music I and II |
6 |
| M403-404 |
History of Music I and II |
6 |
| A301 |
Electronic Studio Resources I |
2 |
| |
Applied Vocal or Instrumental Study * |
4 |
| X040 or X070 |
Ensemble Participation - 4 semesters † |
4 |
| X001 |
Ensemble Participation - 3 semesters |
0 |
| X095 |
Performance Class - 7 semesters |
0 |
| Z340 |
Introduction to Business of Music |
3 |
| BUS-L201 |
Legal Environment of Business |
3 |
| U413 |
Legal Aspects of the Music Industry |
3 |
| BUS- M300 |
Introduction to Marketing Management |
3 |
| U411 |
Concert Management |
3 |
| U440 |
Internship/Field Experience |
3 |
* NOTE: At least one semester of applied study must be MUS-P101 PIANO CLASS or MUS-P100 PIANO (if piano is the student's primary instrument, then the student should register for MUS-P260).
† NOTE: For students whose ensemble is choir, it is not permissible to double-up on credits by enrolling in both Concert Choir and Community Chorus, unless the student is graduating in that semester and they have received permission from the Choral Director.
____________
SOUND ENGINEERING TRACK
The art of recording is a necessary and integral part of the field of music. The Sound Engineering track within the Music Industry concentration at Indiana University Southeast is designed to give students a well-rounded education in liberal arts courses, while exposing them to practical, theoretical, and creative applications of sound engineering in the field of music. This degree, unlike vocational approaches to music technology, provides a significant background in the academic areas of a traditional music degree. Students participate in ensembles, study two years of music theory, refine their aural skills, and show competency in the performance of music, as well as elements of audio production and fluency in current technologies. Since real world experience and networking are invaluable to the aspiring sound engineer, our students are given opportunities to engage in numerous projects through internships and courses that are taught on location with our studio partner, TNT Productions.
Auditioning for the Sound Engineering Track
Acceptance into the Music Industry/Sound Engineering program is based both on an interview and a demonstration of the candidate’s fluency on a particular instrument or voice. Because the Music Industry concentration is not a performance oriented degree, the level of performance does not need to reflect the same stringent standards; however, since it is a music degree, we require that candidates have some facility on a musical instrument or voice and can demonstrate basic literacy in conventional music notation. Candidates should be prepared to discuss reasons why they wish to pursue the Sound Engineering track. Support materials (CD recordings, creative work, past editing projects, etc.) are helpful, but not necessary for admittance into the program. Some basic pitch matching exercises may be asked of the candidate.
Facilities
The Music Department boasts a state-of-the-art Electronic Music Studio as well as a Mac-based MIDI Lab/Listening Lab, both of which double as high-tech teaching facilities. In addition to our on-campus facilities, several of the audio engineering courses are taught at TNT Productions studios in Louisville, Kentucky.
Current Equipment
3 station advanced production lab including a Film and Media workstation with Mac Pro 8-core, Vienna Instruments, LA Scoring Strings, Sibelius, and Finale.
10 station MIDI lab with upgraded iMac computers with large screen, flat panel workstations
Mbox 2 MIDI Interfaces and Oxygen 25 usb controllers
Sure KSM, AKG414, and Audio Technica CZ1000s microphones
Sony DCR VX2100 Camera
Software in use (latest versions, partial list):
Pro Tools
Finale
Sibelius
Logic Pro
Final Cut Pro Studio
Adobe Premiere Pro
Vienna Instruments
LA Scoring Strings
Music Industry Concentration Requirements: Sound Engineering Track
These requirements are in addition to university distribution requirements
| Course Number |
Course Title |
Credits |
| |
Total Credits |
50 |
| T113-114 |
Music Theory I and II |
6 |
| T115-116 |
Ear Training I and II |
2 |
| T417-418 |
Music Theory III and IV |
6 |
| T215-216 |
Ear Training III and IV |
2 |
| M201-202 |
Literature of Music I and II |
6 |
| M403-404 |
History of Music I and II |
6 |
| A101 |
Intro to Audio Technology |
2 |
| A301 |
Electronic Studio Resources I |
2 |
| A321 |
Sound for Picture Production |
3 |
| A370-470 |
Studio Techniques I & II |
4 |
| A423 |
Final Project |
1 |
| U440 |
Internship |
3 |
| X040 or X070 |
Ensemble Participation - 4 semesters † |
4 |
| X001 |
Ensemble Participation - 3 semesters |
0 |
| X095 |
Performance Class - 7 semesters |
0 |
| Z340 |
Introduction to Music Business |
3 |
† NOTE: For students whose ensemble is choir, it is not permissible to double-up on credits by enrolling in both Concert Choir and Community Chorus, unless the student is graduating in that semester and they have received permission from the Choral Director.
MUSIC COMPOSITION
There are two tracks within the Music Composition concentration: Film and Media Composition, and Composition for the Concert Stage.
The Music Composition concentration at IU Southeast is designed to give the creative student the skills necessary to analyze, arrange, and compose works for the concert stage or for film and media. The degree stresses not only the creative aspect of music composition, but also incorporates technology and performing areas of music as well. Students get a chance to work with internationally performed composers in developing their craft and technique so that they are prepared to tackle the myriad of opportunities available to the composer today. Graduates of the composition program at IU Southeast have gone on to graduate study, scored for feature-length films, and written music for video games.
Auditioning for the Composition Concentration (Concert Stage and/or Film & Media)
Acceptance into the Music Composition program is based on both an interview/portfolio review and an audition. Candidates should perform one representative work on their primary instrument/voice and also present a portfolio of a least two scores (with recordings, if possible) of their original compositions. It is important that candidates have some prior experience in written composition. Scores should demonstrate candidate’s creativity and ability to realize his or her ideas with accuracy and in accordance to conventional notational practices. Candidates should be able to discuss their influences and musical interests as they relate to the field of composition. Some basic pitch matching exercises may be asked of the candidate.
FILM & MEDIA COMPOSITION
The Film and Media track is specifically geared towards students interested in writing music for film and other media environments such as video games and television. Students receive training in studio techniques and production through various projects that deal with music and other visual media. Unlike many technology programs, the Film and Media Composition program also involves training in the craft and technique of composition by our internationally-recognized composition faculty.
Music Composition Concentration Requirements: Film & Media Composition
These requirements are in addition to university distribution requirements
| Course Number |
Course Title |
Credits |
| |
Total Credits |
50 |
| T113-114 |
Music Theory I and II |
6 |
| T115-116 |
Ear Training I and II |
2 |
| T417-418 |
Music Theory III and IV |
6 |
| T215-216 |
Ear Training III and IV |
2 |
| M201-202 |
Literature of Music I and II |
6 |
| M403-404 |
History of Music I and II |
6 |
| A301 |
Electronic Studio Resources I |
2 |
| A321 |
Sound for Picture Production |
3 |
| K300 |
Applied Composition Study |
6 |
| K312 |
Arranging for Instrumental/Vocal Groups |
3 |
| K406 |
Electronic Music Project |
1 |
| Z340 |
Intro to Music Business |
3 |
| X040 or X070 |
Ensemble Participation - 4 semesters † |
4 |
| X001 |
Ensemble Participation - 3 semesters |
0 |
| X095 |
Performance Class - 7 semesters |
0 |
† NOTE: For students whose ensemble is choir, it is not permissible to double-up on credits by enrolling in both Concert Choir and Community Chorus, unless the student is graduating in that semester and they have received permission from the Choral Director.
____________
COMPOSITION FOR THE CONCERT STAGE
Composition for the concert stage involves writing music for the more traditional categories of orchestral, chamber, solo, ballet, and opera. Students are encouraged to explore the art of music, which involves expanding upon conventional languages in music, pushing boundaries in the production of sound, and discovering new means of artistic expression through music. Students have the opportunity to hear their works read by the university orchestra and receive unique insight into the important networking channels in the field of composition.
Music Composition Concentration Requirement: Composition for the Concert Stage
These requirements are in addition to university distribution requirements
| Course Number |
Course Title |
Credits |
| |
Total Credits |
50 |
| T113-114 |
Music Theory I and II |
6 |
| T115-116 |
Ear Training I and II |
2 |
| T417-418 |
Music Theory III and IV |
6 |
| T215-216 |
Ear Training III and IV |
2 |
| M201-202 |
Literature of Music I and II |
6 |
| M403-404 |
History of Music I and II |
6 |
| A301 |
Electronic Studio Resources I |
2 |
| K300 & K400 |
Applied Composition Study |
12 |
| K312 |
Arranging for Instrumental/Vocal Groups |
3 |
| K402 |
Senior Composition Recital |
1 |
| X040 or X070 |
Ensemble Participation - 4 semesters † |
4 |
| X001 |
Ensemble Participation - 3 semesters |
0 |
| X095 |
Performance Class - 7 semesters |
0 |
† NOTE: For students whose ensemble is choir, it is not permissible to double-up on credits by enrolling in both Concert Choir and Community Chorus, unless the student is graduating in that semester and they have received permission from the Choral Director.
PERFORMANCE
There are two tracks within the Performance concentration: Instrumental Performance and Vocal Performance.
IINSTRUMENTAL PERFORMANCE
The Instrumental track of the Performance concentration at IU Southeast is intended for those students who wish to focus their studies on a particular instrument. The curriculum stresses the development of the student's technique and musicianship, ensemble dynamics, building a fundamental knowledge of his/her repertoire, and acquisition of practical pedagogical techniques.
Auditioning for the Instrumental Performance Track
Instrumental Performance - Non-keyboard
Instrumentalists should prepare two shorter selections in contrasting styles from the standard literature (or one longer work) that best display musical accomplishments. Major scales and a chromatic scale may also be requested. Instrumentalists are not required to perform with accompaniment. If an accompanist is needed, the music must be submitted to the Music Department Office at least two weeks in advance. Percussionists should prepare a snare drum solo and basic rudiments, and either a timpani or mallet instrument solo. Some basic pitch matching exercises will be asked of the candidate.
Instrumental Performance - Keyboard
Candidates for the piano or organ performance concentration should be prepared to play (either from score or memory) no less than two pieces. These should be varied, both as to period and style. The candidate should also be prepared to play major and minor scales and arpeggios in the following major keys: C, G, A, D, and F. Some basic pitch matching exercises and sight-reading will be asked of the candidate.
___________________
VOCAL PERFORMANCE
The Vocal track of the Performance concentration at IU Southeast is intended for those students who wish to focus their studies in voice. The curriculum stresses the development of the student's technique and musicianship, ensemble dynamics, building a fundamental knowledge of his/her repertoire, and acquisition of practical pedagogical techniques.
Auditioning for the Vocal Performance Track
Students should prepare two songs of contrasting style, one preferably in a foreign language. At least one of the songs should be memorized. One of the two selections may come from musical theater. Voice auditions must be accompanied. IU Southeast can provide an accompanist as long as the music is submitted two weeks in advance of the audition date. Following the presentation of solo material, the candidate will be asked to demonstrate basic pitch and rhythmic sight reading ability.
Performance Concentration Requirements: Instrumental or Vocal Performance
These requirements are in addition to university distribution requirements
| Course Number |
Course Title |
Credits |
| |
Total Credits |
49 |
| T113-114 |
Music Theory I and II |
6 |
| T115-116 |
Ear Training I and II |
2 |
| T417-418 |
Music Theory III and IV |
6 |
| T215-216 |
Ear Training III and IV |
2 |
| M201-202 |
Literature of Music I and II |
6 |
| M403-404 |
History of Music I and II |
6 |
| A301 |
Electronic Studio Resources I |
2 |
| |
Applied Music Study |
12 |
| |
Applied Piano Study
(P100 for vocal or instrumental majors, or
X002 Piano Accompanying for piano majors) |
2 |
| X040 or X070 |
Ensemble Participation - 4 semesters † |
4 |
| X001 |
Ensemble Participation - 3 semesters |
0 |
| X095 |
Performance Class - 7 semesters |
0 |
| |
Senior Recital |
1 |
† NOTE: For students whose ensemble is choir, it is not permissible to double-up on credits by enrolling in both Concert Choir and Community Chorus, unless the student is graduating in that semester and they have received permission from the Choral Director.
PRE-MUSIC THERAPY
This concentration is designed for the music student who wishes to continue into a graduate program in Music Therapy in order to work in an allied health field which uses music within therapeutic relationships to address physical, emotional, cognitive and social needs of individuals. This concentration does not lead to licensing in Music Therapy but is preparation for further study in the field.
*For best preparation for graduate study and work in the profession, this concentration should be taken with the psychology minor in Pre- Expressive Therapy (18 credits)
Auditioning/Interviewing for the Pre-Music Therapy Concentration
Acceptance into the Pre-Music Therapy concentration consists of both an interview and an audition on the candidate's primary instrument. Because the Pre-Music Therapy concentration is not a performance degree, the level of performance does not need to reflect the same stringent standards. However, since it is a music degree, we require that candidates have previous training on a musical instrument or voice and can demonstrate basic literacy in conventional music notation. Candidates should be prepared to discuss reasons why they wish to pursue the Pre-Music Therapy concentration.
Pre-Music Therapy Requirements:
These requirements are in addition to university distribution requirements
| Course Number |
Course Title |
Credits |
| |
Total Music Credits |
43 |
|
*Please note that this concentration requires
A215 Basic Human Anatomy (5 cr.)
as the General Education science requirement. |
|
|
|
|
| T113-114 |
Music Theory I and II |
6 |
| T115-116 |
Ear Training I and II |
2 |
| M201-202 |
Literature of Music I and II |
6 |
| M403-404 |
History of Music I and II |
6 |
| M375 |
Survey of Ethnic and Popular Music of the World |
3 |
| A301 |
Electronic Studio Resources I |
2 |
| |
Applied Piano Study
Two semesters from P100, P200, P300, P260
(course depends on student skill level) |
4 |
| |
Applied Vocal Study
Two semesters from V100, V101, V200, V300, V260
(course depends on student skill level) |
4 |
| |
Applied Guitar Study
Two semesters from L100, L101, L200, L300, L260
(course depends on student skill level) |
4 |
| X002 |
Accompanying (Requires piano proficiency before enrolling) |
2 |
| X040 or X070 |
Ensemble Participation - 4 semesters † |
4 |
| X001 |
Ensemble Participation - 3 semesters |
0 |
| X095 |
Performance Class - 7 semesters |
0 |
† NOTE: For students whose ensemble is choir, it is not permissible to double-up on credits by enrolling in both Concert Choir and Community Chorus, unless the student is graduating in that semester and they have received permission from the Choral Director.
MUSIC MINOR
A minimum of 20 credit hours in music is required to earn a minor in music. The required courses for a minor are as follows:
Music Minor Course Requirements
| Course Number |
Course Title |
Credits |
| |
Total Credits |
20 |
| T113-114 |
Music Theory I and II |
6 |
| T115-116 |
Ear Training I and II |
2 |
| M201-202 |
Literature of Music I and II |
6 |
| |
Applied Instrumental/Vocal Study † |
4 |
| |
Ensemble Participation |
2 |
† NOTE: For students whose ensemble is choir, it is not permissible to double-up on credits by enrolling in both Concert Choir and Community Chorus, unless the student is graduating in that semester.
Note: Some students may need to enroll in Rudiments of Music (MUS-T 109) to prepare for the work in MUS-T 113 Music Theory. Please contact the Music Department for advising.
An audition is not required to obtain a minor in music.
Advising with full-time music faculty is not required for this degree.
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